Cease studying proper now if you have not watched the second episode of season 2 of “The Final of Us” — main spoilers lie forward.
Within the second episode of the sophomore season of “The Final of Us,” one thing large occurs … and I am not speaking concerning the main dying that occurs simply earlier than the tip of the episode. What I am speaking about is the assault on the protected fortress in Jackson, Wyoming the place just about the entire present’s primary characters now stay, together with Joel Miller (Pedro Pascal), his surrogate daughter Ellie (Bella Ramsey), Joel’s brother Tommy (Gabriel Luna) and Tommy’s spouse Maria (Rutina Wesley), and Ellie’s mates (and newcomers in season 2) Dina and Jesse, performed respectively by Isabela Merced and Younger Mazino.
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Whereas Joel and Dina are out on a monitoring mission, and Ellie and Jesse are additionally stranded out in the identical snowstorm affecting the prior duo’s visibility within the woods, Tommy, Maria, and the remainder of Jackson face an invasion from a bunch of Contaminated. (Within the season premiere, “Future Days,” we see some tendrils rising from a pipe within the middle of Jackson, and we all know from season 1 that these principally act as a homing beacon for Contaminated hordes). As ladies and kids huddle right into a bunker to cover from the Contaminated “military,” Tommy and different fighters take to the ramparts, armed with explosives, flamethrowers, and all kinds of long-range instruments meant to assault the Contaminated; as soon as the extraordinarily heavy bolstered door to Jackson is breached, Tommy fights on the bottom with everybody else and Jackson’s canines even be part of the fray (although fortunately, it would not look like any of them have been critically injured).
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Co-showrunner Craig Mazin (who wrote the script) and director Mark Mylod’s audacious alternative to incorporate this scene — which, notably, doesn’t occur within the Naughty Canine recreation “The Final of Us Half II” — within the episode that options Joel’s dying is daring, and but, the episode would not really feel overstuffed. As an alternative, it merely looks like an ode to nice battle scenes we have seen earlier than … paired with the end result of Abby’s (Kaitlyn Dever) vengeful mission.
This battle scene on The Final of Us harkens again to basic sequences in different TV reveals and flicks
An attention-grabbing factor about “The Final of Us” is that, at face worth, it is a present about “a zombie apocalypse,” however the present is far more concerning the emotional interior lives of survivors of a zombie apocalypse with just a few motion and combat scenes thrown in now and again. That is why the battle scene on this episode feels so vital — and once more, this was a setpiece created completely for the HBO sequence (which is overseen by Mazin and the unique recreation’s director, Neil Druckmann. Whereas watching this episode, “Recreation of Thrones” got here to thoughts, as did “The Two Towers,” the second installment in Peter Jackson’s “Lord of the Rings” trilogy.
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“Recreation of Thrones” featured a ton of battles all through its run, from season 2’s first large battle sequence “Blackwater” to the Battle of the Bastards in season 6 between Jon Snow (Equipment Harington) and Ramsay Bolton (Iwan Rheon) to the Battle of Winterfell within the sequence’ ultimate season. The siege on Jackson felt prefer it took inspiration from a number of of these, from ladies and kids hiding off the battlefield (like they do in each Blackwater and the Battle of Winterfell) to the large scale of the bloodshed, but it surely’s additionally vital to keep in mind that these battles have been principally fought between people (with just a few dragons thrown in for good measure).
The Battle of Helm’s Deep, which is the primary focus of “The Two Towers,” was additionally clearly an inspiration right here — significantly as a result of that battle is likely one of the most well-known and influential on-screen battles in any film or TV present within the fashionable period. The purpose right here is that Mark Mylod, who directed this episode (and labored on non-battle episodes of “Recreation of Thrones”), drew inspiration from main TV and movie battles for this sequence, and it reveals; it is a spectacular sequence and unforgettable even when you think about what else occurs on this episode.
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This episode of The Final of Us options an enormous dying — however the battle scene can also be extremely impactful
I discussed earlier that, on this episode of “The Final of Us,” Joel dies. He is brutally murdered by Abby, who’s been looking him for a number of years after Joel killed her father in a murderous rampage at a Firefly hospital. (He did it to save lots of Ellie, however not solely does Abby not know that, he nonetheless most likely should not have killed all these folks.) Joel’s dying at Abby’s palms is a significant a part of “The Final of Us Half II,” so anybody who’s aware of the sport is aware of that is coming within the second season of the HBO adaptation (and possibly began bracing themselves after Abby and Joel meet and narrowly escape a horde of Contaminated within the wilderness). Clearly, Joel’s dying may have a long-lasting affect on the present going ahead … however so will the siege on Jackson!
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As Joel and Ellie have traversed a broken-down United States, they have been in near-constant hazard — and Jackson, earlier than the siege, is likely one of the solely protected locations we have seen on the present. It was, till the assault, very well-protected, and contemplating that Tommy and lots of different fighters do survive the assault, their protections additionally clearly labored, to a level … however what occurs now? Jackson remains to be house to an entire group of survivors, they usually want a spot to stay that is practical and never a weak goal. This battle scene is unimaginable to behold, but it surely additionally has main ramifications for the season, and proves that nowhere is really protected inside the world of “The Final of Us.”
You may watch new episodes of “The Final of Us” each Sunday on HBO and Max at 9 P.M. EST.
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